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REMBRANDT Harmenszoon van Rijn The three crosses oil painting reproduction

REMBRANDT Harmenszoon van Rijn
Die drei Kreuze
The three crosses
Gemälde IDENTIFIZIERUNG:: 42711

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MK169 ca. 1660 Staatlich iv. Trocknen Sie Nadel und ätzend auf Papier38.4x45cm
MK169 ca. 1660 State iv. Dry needle and etching on paper 38.4x45cm

REMBRANDT Harmenszoon van Rijn
Die drei Kreuze
The three crosses
Gemälde IDENTIFIZIERUNG:: 42712

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MK169 Detail vom Britischen Museum von Staatlichen III MK169 1653 Hat Belohnt
MK169 detail of State III MK169 1653 British Museum Rewarded

RUBENS, Pieter Pauwel The Three Crosses oil painting reproduction

RUBENS, Pieter Pauwel
The Three Crosses
Gemälde IDENTIFIZIERUNG:: 43906

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c. 1620 Oil on canvas

REMBRANDT Harmenszoon van Rijn
The Three Crosses
Gemälde IDENTIFIZIERUNG:: 63956

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1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious

REMBRANDT Harmenszoon van Rijn
Born 1606, Died 1669
The Three Crosses
1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious

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